Another massive ramble live-tweet thing. I warned you. And Stephanie Perkins’ writing is, as ever, amazing.
- P.6. Well we seem to be getting straight into it. Here’s for holding out for no love triangles.
- P.12. I like Isla. Even if if she is loopy. Especially because she is loopy.
- P.26. Ok, this obsession thing is actually a bit much now. This can’t be healthy.
- P.27. Oh thank god we’re not going to end up with Kurt being ‘friend zoned’.
- P.62. He spends a lot of time looking at her cleavage.
- P.81. Good. He’s honest. I’m glad we finally got something less complicated.
- P.90. I feel sorry for Josh. All his friends upped and left him. No wonder he doesn’t like school. It must be lonely.
- P.94. I like Isla. For someone who acts like a lovesick puppy every other page she asks the right questions and is actually very much herself with him. It’s good. Good for you Isla.
- P.98. Sometimes Stephanie Perkins’ writing is just spot on.
- P.106. Well this is a refreshing approach to sex. I like Isla more and more as this book goes on. And Josh too. I’m actually liking both the main characters – shocker.
- P.114. ‘It’s the afternoon. Tell him he’s wrong.’ I love Kurt. Kurt is the best.
- P.132. Isla is me. I am Isla. That is basically my thought process in life.
- P.141. I am really enjoying the fact hat it’s not taking the entire book for their romance to be solidified. There’s not hundreds of pages of conflicting feelings and confusion and pining.
- P.167. Josh is a good guy. I like how he recognises how important Isla’s friendship with Kurt is. Because friendship is really important and shouldn’t ever take a back seat to romance. You go Josh.
- P.186. This whole Barcelona thing seems like a bad idea and they’re going to get caught and it will all end in tears.
- P.195. I like how sure of herself Isla is. To begin with she’s portrayed as shy and innocent and nervous but she’s just not. She’s shy definitely but she also has a security and a confidence in who she is and what she wants in any particular moment. I also appreciate that there is sex in this book which isn’t complicated or awkward or momentous. It’s just sex.
- P.197. Too true. It is wonderful.
- P.204. Called it. I’d say I was good at this but I think these books are just really predictable. I don’t care though. They’re amaze.
- P.246. I feel so sorry for Josh. Poor Josh. I just want to give him a hug.
- P.279. The temple of Dendur is pretty damn cool
- P.295. Oh god he’s crying. Oh no. Oh baby. I want to hug them all. This is the most upsetting to read so far. I am actually kinda upset by this.
- P.301. This is all very ridiculous.
- P.306. Isla’s kinda a selfish idiot and I feel sorry for Josh.
- P.307. Yes. Go fix it moron. Good.
- P.310. Well this is all going horribly wrong.
- P.330. I’m liking how despite the annoying and unnecessary breakup thing, the focus is on Isla and her making decisions for her and deciding who she is regardless of Josh. That’s good. That’s more important.
- P.347. Yesssss! Anna and Etienne! Yes! I like how their story is happily concluded in and amongst the others.
- P.362. Awwwwwwww
- Well that was adorable. And I actually think I like that more than the other two, which appears to be a controversial opinion. All of the reviews said that I&THEA was disappointing and didn’t live up to expectation but for me it did. It was just… sweeter I think. There were no love triangles. Both of the characters felt realer and more likeable. And yes there was that ridiculous fight thing. And yes there is only a token amount of Anna and Etienne and Lola and Cricket thrown in at the end. But I was so invested in Josh and Isla that I was okay with it. I love all three. They are all great. But I think I like Isla the most. Maybe I see the most of me in it. I’m sad to see them go.
- Okay, I’ve had a couple of hours to think it over and I will admit yes there are problems with this book. Obsessing over someone and then following it up with instalove is both weird and unhealthy. True. But I kinda don’t care? (And I really hate instalove). I feel like that’s why I liked the book so much. It started out as instalove and they barely knew each other and they didn’t really know what love meant or even who they were themselves. But the whole point of the book was that they were finding out. And when you’re 17 that’s kinda how relationships work- you don’t get an epic romance where you overcome all of your problems and somehow you two star crossed lovers are just meant to be together. No. Basically no one gets that. It starts out with infatuation and you build this ideal of someone and when that ideal is shattered it’s heartbreaking. And a lot of times it doesn’t work out. But where most people condemn Isla for bigging up instalove and idealisation, to me it’s the opposite. Yes that’s the first part of the book and there are some adorable parts to it, but by the end of the book is that they’ve broken through that ideal and worked out who they really are and who the other person is. They learnt that about each other, even if it’s not verbal. Communication can go beyond just the verbal (although, y’know, just having an actual conversation is usually quicker and a hell lot more straight forwards). And it’s only because they’ve got past her obsession that they will actually work. And that’s what you learn about relationships when you’re 17. You don’t learn how to fall in love. Anyone can fall in love – that’s the easy part You have to learn how to work on a relationship and make it what it needs to be. Build upon that love when it already exists and a relationship is already there. With Anna and Lola they only get together once they have already done the working out. But sometimes things go backwards. And I like how Isla shows that there are different ways to get to the right kind of love. And to me it feels like less of an ideal, as a story at least. It feels more like, at 17, you might actually be able to attain it.